How to compose classical haiku
A haiku is a moment of reflection, a snapshot in time. It is usually composed in the present tense. Usually an observation of nature is combined with a spiritual insight. Each line should be a line in its own right and all three lines should work in harmony together. The language should flow and when you read the haiku, it should not sound stilted or unnatural.
I love haiku that imply, rather than describe. For instance, traditional haiku are supposed to mention a season (kigo) somewhere in one line, but I prefer the implication of a season as it means I have to work harder for the words. I love contrasts, juxtapositions and a-ha moments. But best of all I love excellent use of the English language! Send me your haiku that take me beyond reality, that have something Other, that spark that fires my imagination…
And, to be published on this site, your haiku should be composed in the classical way and written in English.
Classical haiku are composed in the strict syllabic structure of 5-7-5.
First line = 5 syllables
Second line = 7 syllables
Third line = 5 syllables
Here is an example: –
crystallisation-- timeless spaces embedded inside catharsis © Kerfe Roig
Line 1 – 5 syllables – cry-stall-is-a-tion
Line 2 – 7 syllables – time-less-space-es-em-bedd-ed
Line 3 – 5 syllables – in-side-cath-ar-sis
Here some more examples of haiku that I like to publish on this site: –
an echo repeats revealing infinity but still our time ends © Tina Stewart Brakebill 2021 stars dance through cloud-waves time’s chiliad rhythms beat, past and future merge © Merril D. Smith 2020 esoteric moves dances with divinity emancipation © Radhika Puttige 2020 swarming night insects instinct draws them to bright bulb an imminent death © Susi Bocks 2020 For a better idea of what I choose to publish on Pure Haiku, please read recent posts from the previous 2 years.
Please make sure you also read SELECTION PROCESS and SUBMISSION EMAILS before sending your haiku to me.
Updated February 2023
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